Sharhin fim ɗin Jawan
Darakta: Atlee Kumar
Ƙasidu: Action | Thriller | Drama | Political Commentary
Tsawon lokaci: 169 mins
Harshe: Hindi (dubbing a cikin Tamil, Telugu, da sauransu)
Masu Fita da Fim: Red Chillies Entertainment
Fitowa: 7 ga Satumba, 2023
TAƘAITACCEN LABARI (PLOT SUMMARY)
A cikin wata duniya da ke ɗauke da zalunci da cin hanci, wata murɗaddiyar ƙungiya ƙarƙashin jagorancin Azad (Shah Rukh Khan) ta ɗauki nauyin daidaita mizani. Tare da rundunar mata masu ƙarfi, Azad ya mayar da duniya dandalin adalci – ta hanyar satar jiragen ƙasa, kutse cikin manyan cibiyoyi, da fallasa mugayen masu mulki.
A gefe guda kuma, wata tambaya mai zurfi ta taso: wanene Azad da gaske? Mene ne asalinsa? Wannan tambaya ce da ta buɗe ƙofar wani babban ɓangare na fim ɗin – tarihin mahaifinsa, Vikram Rathore, wani soja da aka azabtar da shi bisa ƙarya, wanda yanzu ya dawo da ƙarfi da zarra.
Fim ɗin Jawan ya mamaye dare da rana da jini da adalci, soyayya da sadaukarwa, da alhini da mafita. Ya tashi daga fim na nishaɗi zuwa fim na ɗaukaka da tunani.
JARUMAI DA RAWAR DA SUKA TAKA
Shah Rukh Khan – a matsayi biyu: Azad da Vikram Rathore. Ƙwarewarsa a nan ya zarce saƙo da murya, ya kawo motsin rai, natsuwa, da fasaha mai sanyi da ƙarfi.
Nayanthara – a matsayin Ofisa Narmada, ta kawo ƙaƙƙarfan ƙuduri da iya aiki, ba kawai a matsayin masoyiya ba, har da mai ikon sauya makoma.
Vijay Sethupathi – Kaalie Gaikwad, babban abokin gaba da ya ƙware wajen nuna mugunta cikin sanyi da natsuwa.
Deepika Padukone – a matsayin Aishwarya, mahaifiyar Azad, ƙaramin lokaci amma mai ɗimbin tasiri.
BAYANAN KASUWANCI (BOX OFFICE PERFORMANCE)
Buɗe rana (India): ₹75 crore (hindi + dubbed versions) – mafi girma a tarihin SRK.
Jimillar kuɗin shiga (India): ₹650+ crore
Jimillar duniya (Worldwide Gross): ₹1160+ crore
Wanda ya fi riba a shekarar 2023, kuma ɗaya daga cikin mafi riba a tarihin Bollywood.
Wannan nasara ba wai kawai ta ta'allaka ne da suna ba — sai da haɗin zafin kallo, sabon salo, da tallatawa mai ƙarfi.
ƘWAZON DARAJA: SHIRI DA FINA-FINAI
Atlee Kumar ya ɗora kansa a matsayin darakta da ke iya haɗa salon masarautar Kudu da kuzarin Bollywood.
Cinematography ya haɗa haske da duhu, rayuwa da mutuwa.
Editing ya fi sauri a wasu lokuta, amma yana goyon bayan zubin “mass masala.”
SAKON ZUCIYA (CORE THEMES)
Adalci da Alhaki: Akwai bambanci tsakanin doka da adalci – kuma Azad ya mayar da adalci ga waɗanda doka ta bar baya.
Mata a matsayin jarumai: Rundunar matan Azad ba kayan ado ba ne, kowacce na da cikakkiyar gaɓar labari.
Kiran ƙasa: Fim ɗin ya ƙarfafa tambaya: Shin kai ɗan ƙasa mai kallo ne, ko mai sauya al’amura?
ƘARFI DA RAUNI
Abubuwan ƙarfi:
Matsayi biyu na SRK – kowane yana da natsuwa da ƙarfin hali.
Sako mai zurfi cikin nishaɗi.
Waƙoƙi da ƙwallon ido na visual effects – musamman wakar Zinda Banda da Chaleya.
Ƙarancin ƙarfi:
Wasu wurare sun yi tsawo fiye da buƙata.
Cikakkar fahimta na buƙatar kuzari daga mai kallo.
🏁 HUKUNCI NA ƘARSHE (VERDICT)
Jawan ba fim bane kawai – magana ce da ke amsa tambayoyin da yawancin fina-finai ke gudu daga amsawa. Fim ɗin ya nuna cewa kishin ƙasa ba wai jingina da tutar ƙasa bane kawai — ya haɗa da ɗaga murya, da faɗa da zalunci, da goyon bayan gaskiya.
Taurari: ★★★★☆ (4.5/5)
Kalma ɗaya: "Massive, Meaningful, Mind-Blowing."
Haiman Raees
